A customised metal exhibition label is placed in dialogue with public buildings, street objects and urban remnants. Usually a tool for identifying and legitimising an artwork, the label becomes an instrument of symbolic occupation.

Through a gentle but provocative form of artistic pillaging, the project questions ownership and the authority to define what is art. Photographic documentation records the artist holding an oversized label in public settings, turning monumental architecture into a backdrop and exposing the unstable boundary between creation, appropriation and homage.